Milnes Joins Colleagues to Celebrate Domingo’s 50th Anniversary Concert

“There are some of you that you were at my debut,” he said. “You are the judges. You are the ones that make an artist. So thanks to you I have been coming for a half-century.”

A tenor for most of his life, Domingo switched to baritone parts about a decade ago. He has sung 150 roles, by his count.

“The last 20 years, it seems to me like that they are five,” he said after the ceremony, “Time passes so quickly. One wishes that the time, maybe we can do it in a slow motion now the next years.”

Domingo received a standing ovation of about 2 minutes when introduced. Four famous colleagues were recognized from the audience: Martina Arroyo, Sherrill Milnes, Teresa Stratas and James Morris.

“I think Placido’s a miracle, and one of the most amazing parts of it is Marta,” Stratas said.

Milnes first worked with Domingo in Guadalajara, Mexico, during Donizetti’s “Lucia di Lammermoor” and Rossini’s “Il Barbiere di Siviglia (The Barber of Seville).

“I knew there was a special musicality because he was a tenor who could count. So if you said let’s hold it two beats or four beats or three beats or whatever — boom! You got it,” Milnes said. “No other tenor did that. And just multiply that a thousand times. It’s crescendi, the decrescendi, all the lovely musical things. He’s just sharp that way, probably the best.”

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